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Report of the Legal Subcommittee
© » KADIST

Carey Young

Drawing & Print (Drawing & Print)

Report of the Legal Subcommittee is a print featuring a map of the stars, together with a found transcription of a recent United Nations meeting in which various international delegations declare frustration with their 40-year-old, ongoing efforts to devise a legal definition of outer space. This admission seems to hold a rich poetic potential, the human attempts to bureaucratize and control outer space seemingly frustrated by the sublime scale and mystery of its infinite depths.

Product Recall
© » KADIST

Carey Young

Film & Video (Film & Video)

“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations. Young enters a practicing psychoanalyst room and begins a session. Dressed in corporate business attire, Young encompasses both the corporation and individual.

Ongoing Time Stabbed with a Dagger
© » KADIST

Geoffrey Farmer

Installation (Installation)

Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself. The title of the piece comes from the literal translation of René Magritte’s painting from 1938, La Durée Poignardée , whose more familiar translation is “Time Transfixed.”

Subject, Silver, Prism
© » KADIST

Brian Jungen

Sculpture (Sculpture)

There are several elements to Subject, Silver, Prism . Silver ink is applied to blocks of black foam. A simple stand, reminiscent of cheap furniture, supports a drum constructed from deer hide stretched over plastic cooking bowls and held taut by the hide and twine.

The Weaver's Lament
© » KADIST

Erika Tan

Film & Video (Film & Video)

Part of an installation commissioned by National Gallery Singapore, The Weaver’s Lament by Erika Tan addresses the invisibility of women textile artists and their labor. Tan’s video focuses on the story of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya, Abdullah’s loom was left behind at the end of the exhibition, now residing in the Victoria and Albert Museum.

Fire Cycles III (Subcycle 10)
© » KADIST

Anthony McCall

Drawing & Print (Drawing & Print)

This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed.

APA JIKA, The Mis-Placed Comma
© » KADIST

Erika Tan

Film & Video (Film & Video)

APA JIKA, The Mis-Placed Comma is one of three works Erika Tan filmed within exhibition spaces during the final stages of their transition from colonial period law courts to the National Gallery Singapore. Part of an on-going body of work, this video focuses on the figure of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya (today, Singapore and Malaysia), Halimah exists as a series of footnotes, gaining historical attention only for the act of a premature death from pneumonia, in London and away from home.

The Annotated “Gujarat and the Sea” Exhibition
© » KADIST

CAMP

Installation (Installation)

The Annotated “Gujarat and the Sea” Exhibition is a collateral project within the larger body of work around the Indian Ocean, entitled “Wharfage” (2009-13) which has included over the years a radio event, several books and a film. “Boat Modes” (2009-12) dealt with the modalities of maritime life on ships and in ports between UAE, Southern Iran, India and Somalia, using photographs, texts and film based on mobile phone videos made by sailors. CAMP sees this work as a kind of historical intervention on the same subject.

All Nations are Created Special
© » KADIST

Pangrok Sulap

Drawing & Print (Drawing & Print)

All Nations are Created Special is a black and white woodcut print by the artist collective Pangrok Sulap. Emblazoned across this fantastical 10 metre long print is the Bahasa Malaysia phrase Semua Bangsa Tercipta Istimewa , which loosely translated means “All Races are Special”. Pangrok Sulap takes the translation one step further, as the title of the work declares “All Nations are Created Special”.

Straight, McMahon-Hussein correspondance (1916)
© » KADIST

Bady Dalloul

Drawing & Print (Drawing & Print)

The Great Game is a series of works composed of a number of card combinations illustrated by the faces of key political figures shaping the geopolitical landscape in the Middle East. Each reconstituted ‘hand of play’ corresponds to a diplomatic treaty establishing or modifying geographical borders. The plastic form of a poker hand chosen by the artist highlights the randomness of the process of fixing boundaries and the way in which they do not account for the lives of those located there.

Creole Portraits III
© » KADIST

Joscelyn Gardner

Drawing & Print (Drawing & Print)

Creole Portraits III alludes to the 18th century practice by slave women on Caribbean plantations of using tropical plants as natural abortifacients. As an act of political resistance against their exploitation as “breeders” of new slaves and to protest the inhumanity of slavery, some slave women chose to either abort or kill their offspring. Armed with practical knowledge passed on orally from their African ancestors and/or Amerindian counterparts, enslaved Creole women collected the seeds, bark, flowers, sap, and roots from various plants which allowed them to secretly put an end to their pregnancies.

Dulu atas pedestal, sekarang dalampedestal / Before on pedestal, now inside pedestal
© » KADIST

Shooshie Sulaiman

Drawing & Print (Drawing & Print)

Shooshie Sulaiman’s pictures of unidentified figures initially appear alien and even monstrous: rendered hairless in unusual and even sickly colors, they stand in stark contrast to the aesthetic ideals of conventional portraiture. The subject in Dulu atas pedestal, sekarang dalampedestal / Before on pedestal, now inside (2005), a ball point pen and charcoal rendering of a bald figure with a wide-eyed stare, appears caught in a distressingly static state, at once both uncomfortable and yet incapable of ameliorating his condition. Sulaiman’s subject here becomes an almost frightening sight, the emotive brush strokes replaced by the ball point pen’s erratic black lines, the eyes and mouth scribbled over in a deliberately defacing gesture.

Um Al Dhabaab (Mother of Fog)
© » KADIST

Farah Al Qasimi

Film & Video (Film & Video)

Um Al Dhabaab (Mother of Fog) by Farah Al Qasimi addresses the myth of Al Qasimi tribe-instigated piracy in the Gulf, perpetuated by the British Empire and upheld by contemporary western academia. This narrative is contested through a fictional retelling of the 1819 siege of Al Dhayah fort and the subsequent Pax Britannica treaty that solidified Britain’s military presence in the Trucial States. Relayed across various locations and times in Ras Al Khaimah through the perspectives of an ancient jinn, the ghost of an Al Qasimi pirate, two RAK-based sisters, a Jack Sparrow impersonator and ship captain, and an 1819 British naval officer, the film challenges Western-centric historiographies of the Gulf and the lingering imperialist interests at play across Asia’s modern-day trade hubs.

Carey Young

Erika Tan

Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices...

Catherine Opie

Shooshie Sulaiman

Shooshie Sulaiman is one of the leading creative practitioners in Southeast Asia...

Bady Dalloul

Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...

Farah Al Qasimi

Working primarily with photography, video and performance, Farah Al Qasimi examines postcolonial structures of power, gender, and taste in the Gulf Arab states...

Pangrok Sulap

Pangrok Sulap is an Indigenous artist collective comprised of members from the Dusun and Murut clans of Malaysian Borneo...

Brian Jungen

CAMP

CAMP is an artistic collective that started working as a group in 2007, initially consisting of Shaina Anand (filmmaker and artist), Sanjay Bhangar (software programmer) and Ashok Sukumaran (architect and artist)...

Joscelyn Gardner

Joscelyn Gardner is a Caribbean / Canadian visual artist working primarily with printmaking and multimedia installation...

Martin Creed

Chris Ofili

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

Anthony McCall

Geoffrey Farmer

© » ANOTHER

about 3 months ago (02/12/2024)

Uncovering Britain’s Groundbreaking Black-British Women Photographers | AnOther February 05, 2024 Text Elodie Saint-Louis Lead Image Eileen Perrier, ‘Untitled’ from the series Afro Hair and Beauty Show, 1998, from Shining Lights by Joy Gregory (ed.) (MACK, 2024) Courtesy of the artist and MACK In Shining Lights , the “first critical anthology to bring together the groundbreaking work of Black women photographers active in the UK during the 1980s and 1990s ”, a constellation of rarely-seen stars finally take their rightful place in the sky...

© » ANOTHER

about 3 months ago (02/12/2024)

Inside the Exhibition Spotlighting Britain’s Artists of Tomorrow | AnOther February 05, 2024 Text Violet Conroy Lead Image Sang Woo Kim, You’re looking at me, 2023 Courtesy the artist...

© » COLOSSAL

about 3 months ago (02/08/2024)

British artist David Hockney famously quipped, “Art has to move you and design does not, unless it’s a good design for a bus.” Contemporary Art Underground, a forthcoming book from Monacelli posits that these two facets of visual culture are a match made to move us indeed...

© » ARTOMITY

about 3 months ago (01/28/2024)

Kings’ Inscriptions · Contemporary Interpretations – ARTOMITY 藝源 Kwok Mang Ho, Lee Wing Ki, Prof...

© » FAD MAGAZINE

about 3 months ago (01/27/2024)

Accessible Photography with Rankin's SWAG - FAD Magazine Skip to content By Mark Westall • 27 January 2024 Share — Launched by British photographer Rankin , SWAG is a new concept in photography collecting by celebrating the visual through print and limited edition...

© » ARTSY

about 3 months ago (01/25/2024)

10 Rising British Artists to Watch at “New Contemporaries” 2023 | Artsy Skip to Main Content Advertisement Art 10 Rising British Artists to Watch at This Year’s “New Contemporaries” Bella Bonner-Evans Jan 25, 2024 6:57PM Installation view of “Bloomberg New Contemporaries” at Camden Art Centre, 2024...

© » ARTSY

about 3 months ago (01/23/2024)

10 Artists to Discover in Foundations Winter 2024 | Artsy Skip to Main Content Art 10 Artists to Discover in Foundations Winter 2024 Artsy Editorial Jan 23, 2024 2:00PM Foundations is Artsy’s seasonal online fair spotlighting fresh works from galleries known for spotting and nurturing rising talent...

© » ARTSY

about 3 months ago (01/22/2024)

11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision | Artsy Skip to Main Content Art 11 Contemporary Artists Channeling Pierre Bonnard’s Post-Impressionist Vision Cath Pound Jan 22, 2024 5:56PM Considered one of the greatest colorists of modern art, Pierre Bonnard reveled in the simple joys of daily life...

© » DAZED DIGITAL

about 5 months ago (12/18/2023)

How Black British rappers are being censored by the police | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Music Feature Art Not Evidence is a new campaign fighting against the use of rap lyrics as evidence in UK criminal trials 18 December 2023 Text Jack Ramage UK drill rapper, Chinx (OS) , has to tread on eggshells when making music...

© » ART & OBJECT

about 5 months ago (12/18/2023)

8 Latinx Artists You Should Know | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ARTSY

about 5 months ago (12/14/2023)

The Most Influential Artists of 2023 | Artsy Skip to Main Content Advertisement The Year in Art 2023 Art The Most Influential Artists of 2023 Allyssia Alleyne Dec 14, 2023 4:07PM What does it mean to wield influence in 2023? As institutions are questioned, gatekeepers are unseated, and social media is giving a microphone to the masses, it’s clearer than ever that it’s not just about the size and strength of the platform you’ve built, but what you choose to do with it...

© » ART & OBJECT

about 5 months ago (12/12/2023)

Artist Tracey Emin Elected to British Museum Board, and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ART & OBJECT

about 5 months ago (12/12/2023)

10 Female Surrealist Artists You Should Know | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » THEARTNEWSPER

about 5 months ago (12/11/2023)

An acerbic but highly readable view of the British art world Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review An acerbic but highly readable view of the British art world The critic and former curator Julian Spalding holds forth on his dislike of conceptual art and his love for Beryl Cook Georgina Adam 11 December 2023 Share True to form, Spalding makes no secret of his vehement dislike of conceptual art...

© » ARTSY

about 5 months ago (12/06/2023)

Why Folding Screens Are Popping Up in Contemporary Artists’ Work | Artsy Skip to Main Content Art Why Folding Screens Are Popping Up in Contemporary Artists’ Work Josie Thaddeus-Johns Dec 6, 2023 4:36PM Ghada Amer never intended to make folding screens for “ Paravent Girls ,” her show on view at New York’s Tina Kim Gallery through December 9th...

© » DIANE PERNET

about 6 months ago (11/15/2023)

Title: Celebrating Emerging British Artistry: The Troubadour Gallery to Host Solo Shows by The Cameron Twins and Zoë Moss – A Shaded View on Fashion ‘Look mum my painting got into Patrick Hughes’ art collection’...

© » LONDONIST

about 7 months ago (10/13/2023)

London's Smallest Art Gallery Is In a Phone Box | Londonist London's Smallest Art Gallery Is In A Phone Box Outside The British Museum By Will Noble Will Noble London's Smallest Art Gallery Is In A Phone Box Outside The British Museum Why not, well, call in at the city's diddiest art gallery...

Catherine Opie
© » ROYAL ACADEMY

about 7 months ago (10/05/2023)

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

© » LARRY'S LIST

about 7 months ago (10/05/2023)

The British patron’s annual meetings on the Greek Island were a “who’s who of the contemporary art world”...

© » ART AND CAKE

about 8 months ago (08/24/2023)

Artists reflect on Success – Art and Cake August 24, 2023 August 24, 2023 Author Artists reflect on Success Connie Rohman A 2018 study found that 60% of artists make less than $30,000 a year...

© » ART AND CAKE

about 8 months ago (08/24/2023)

Artists reflect on Success – Art and Cake August 24, 2023 August 24, 2023 Author Artists reflect on Success Connie Rohman A 2018 study found that 60% of artists make less than $30,000 a year...

© » ART AND CAKE

about 8 months ago (08/24/2023)

Artists reflect on Success – Art and Cake August 24, 2023 August 24, 2023 Author Artists reflect on Success Connie Rohman A 2018 study found that 60% of artists make less than $30,000 a year...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

British Telecom Tycoon David Ross to Sell Portion of Collection at Sotheby’s - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Sotheby’s to Offer Selected British Pop Art from Businessman David Ross’s Collection - via Barron's...

© » ARTS EQUATOR

about 28 months ago (01/26/2022)

5 Artists Who Influenced Contemporary Southeast Asian Art Thinking and Talking about Arts and Culture in Southeast Asia Articles January 26, 2022 By ArtsEquator (1,161 words, 3-minute read) Throughout history and up to the present day, it has been a challenge to define contemporary Southeast Asian art...

© » ACAW

about 55 months ago (11/01/2019)

- Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Posted on Friday, November 1, 2019 · Leave a Comment We’ve updated our name to better represent nearly 20 years of nonprofit service to the field...

© » RANDIAN

about 55 months ago (10/31/2019)

During the inauguration of the 14th edition of the art fair Contemporary Istanbul, chairman Ali Güreli was also enthusiastically stressing the importance of art and culture in Turkey with the statement: “The artistic and cultural dimension needs to be reinforced at all times”....

© » ACAW

about 55 months ago (10/25/2019)

- Asia Contemporary Art Week Asia Contemporary Art Week ABOUT Consortium Partners PRESENTED ARTISTS FIELD MEETING ABOUT FIELD MEETING TAKE 6: THINKING COLLECTIONS (2018) TAKE 5: THINKING PROJECTS (2017) TAKE 4: THINKING PRACTICE (2016) TAKE 3: THINKING PERFORMANCE (2015) TAKE 2: AN AFTERTHOUGHT (2015) TAKE 1: CRITICAL OF THE FUTURE (2014) FIELD REVIEW ABOUT FIELD REVIEW ISSUE 1: SOUTH ASIA ISSUE 2: MIDDLE EAST PAST EDITIONS ACAW 2002 – 2018 PRESENTED ARTISTS PRESS PRESS RELEASES PRESS COVERAGE Announcements Posted on Friday, October 25, 2019 · Leave a Comment ASIA CONTEMPORARY ART WEEK (ACAW) is taking a programmatic sabbatical in 2019 to plan our programs for 2020 and beyond...

© » ARTS EQUATOR

about 61 months ago (04/18/2019)

"Miss British": Embodying the Post-Colonial Complaint | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Esplanade - Theatres on the Bay April 18, 2019 By Aparna Nambiar (1440 words, six-minute read) “How has colonialism affected you?” This question flashes upon the giant screens that span the studio walls of The Esplanade Theatre Studio...

© » ARTREPORT

about 101 months ago (01/19/2016)

British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal by December Projects Jan 22, 2016 in Artist Interviews 0 Installation Close Up, Hush...

© » KADIST

about 62 months ago (04/12/2019)

© » KADIST

about 79 months ago (10/25/2017)

© » KADIST

about 79 months ago (10/25/2017)

© » KADIST

about 102 months ago (12/12/2015)

© » KADIST

about 135 months ago (04/13/2013)